Seismic
a concert in flux
© Nasa
Seismic reimagines the concert as a shifting terrain, where sound is no longer a medium but a force. Seven performers enter the field like fault lines, carving what Maria W Horn - who creates a new work for and with Ictus - calls aural monoliths.
Slowness here is not calm: it is pressure, ritual, fracture. Sound thickens into matter, bodies become percussion, light acts as tectonics. Disciplines dissolve. Movement, sound, and visual arts collapse into each other, forming a volatile landscape of constant mutation.
The audience is not placed before but inside this instability, caught in an ecosystem where perception slips between presence and erasure, order and rupture. Seismic is not simply performed or heard. It is inhabited: a living geology of sound, light, and bodies, forever on the verge of collapse.
Concept, direction, light & sceno: Aïda Gabriëls
Choreographic advice: Matteo Sedda
Created with & performed by Maria W Horn, Aisha Orazbayeva, Victor Guaita, Geert De Bièvre, Nabou Claerhout, Ruben Orio & Matteo Sedda
Dramaturgy: Tom Pauwels
Light: Astrid Van Steenkiste
Scenography: Tanja Mala Ngombe, Astrid Van Steenkiste & Noir Métal (Pans, 2022, Structure modulable en acier. Œuvre produite dans le cadre de l’exposition présentée à La Verrière par la Fondation d’entreprise Hermès.)
Special thanks: Milan Henderickx
Production management: Ruth Sarens
Production: B-Classic, Ictus & Oester
Co-production: Botanique (Brussels) & Concertgebouw (Bruges)
Commissioned by Botanique (Brussels).
This production is realised with the support of the Flemish Community and the Tax Shelter of the Belgian Federal Government.